Choose a video production company by matching the kind of company to the kind of story you need told, then asking every finalist the same seven questions and comparing the answers. Most bad hires go wrong at the first step. A brand hires an agency when it needed a documentary crew, or a documentary crew when it needed an animator, and no amount of talent fixes the mismatch.
A disclosure; we’re Storyteller Studios, a documentary video production company in Springfield, Illinois, and we’d love to be on your shortlist. This guide also tells you when we shouldn’t be.
Three kinds of companies make most professional video, and each is good at something different.
Plenty of companies claim all three. Ask which one is their true specialty.
Ask each company the same questions and note how they answer. The differences show up fast.
A good answer names people. Some companies sell the project and send freelancers, often hired for the day. Ask whether the crew is on staff and whether you’ll meet them before the shoot.
Anyone can show you a pretty film. Fewer can tell you what it did. Good answers have numbers in them, such as views, dollars raised, or applications received.
Most of the people in your film will be nervous. Listen for a proven method to getting the best out of them.
A company that knows its business can give you a range on the first call.
Good companies do the heavy lifting and tell you plainly what your part is. Expect a planning step where you settle the goal, the audience, and who goes on camera.
Get the number in writing ahead of time. Ask what counts as a round, and what happens when your boss’s boss sees the film late and has thoughts.
You should own the finished film outright. Raw footage is a separate question, so ask how long they keep it and what it costs to get it later.
Most professional video production costs $5,000 to $50,000+, and most of our own projects land under $20,000. The number moves with filming days, locations, travel, and how many finished films you need. Animation prices differently, usually by length and complexity. Our pricing guide breaks down each part.
Be careful with the lowest bid. A cheap film nobody watches costs more than a good one that works.
Handing you a quiz we haven’t taken would be rude. Here are our answers.
The work has earned 15 Regional Emmy® recognitions since 2020, six of them wins.
We’re the wrong choice in a few cases, and you should hear it from us.
If you’re hiring for a nonprofit, our nonprofit hiring guide covers the fundraising side. If you’d like names, we keep a list of nonprofit video production companies worth your shortlist.
A videographer is usually one person with a camera. A video production company brings a crew, a producer, a planning process, and an editor. One person can be the right call for a simple shoot. A film meant to change hearts and minds usually needs the crew.
Hire for fit first and distance second. A regional crew within a day’s drive often costs less than a national company that flies in. We’re in Springfield, Illinois, with Chicago, St. Louis, Indianapolis, and Kansas City all within a day’s drive.
At least three. You will encounter a wide range of pricing, capability, and capacity. The cheapest one carries hidden risks. Hire for fit first.
Plan on a few weeks at minimum. We book projects three to six weeks ahead, depending on the season, and we reply to every inquiry within one business day. The most available option on short notice also carries hidden risks.
If a documentary crew sounds like the right kind of company, tell us about your project.
we're storyteller studios
In 2013, we started leveraging the power of documentary-style film for brands and causes in our hometown of Springfield, Illinois (hence our affinity for Lincoln).
Since then, we’ve worked with clients nationally and traveled to cities including Chicago, St. Louis, Kansas City, Indianapolis, Louisville, and Des Moines.
No matter where you are, we’d be honored to serve your brand next.
featured post
Some video types reliably outperform others. Here's the framework we use to choose the right format for each project, and why story-driven choices outperform formula every time.